生誕100年記念 The Life and Art of NAMBATA Tatsuoki—on the Centennial Anniversary of his Birth (2005)
[ Exhibition ]

作品02図版
Votive Relief(from Relief of Greek Sculpture oil on canvas 1935
Tokyo Opera City Art Gallery photo: SAITO Arata

2.Aspiration for ancient times: 1927–1950 (age 22–45)

In 1927, Nambata Tatsuoki was studying plaster figure drawing at the Taiheiyo European Art Society Institute and the Hongo Western Painting Institute. His earliest sketchbook includes drawings of Kishida Ryusei’s Portrait of Reiko and William Blake works, demonstrating part of Tatsuoki’s learning process after deciding to become a painter. He produced a number of oil paintings that show a partiality to ancient Greek sculptures, but during the wartime years, this classical bent was instead sought in Japanese Buddhist sculpture. Beginnings of the oriental abstract style that the artist achieved in his later years are recognisable in these works.

←1.From poet to painter 3.Searching for direction—
from representational to abstract →



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